All times are UTC - 5 hours

Forum locked This topic is locked, you cannot edit posts or make further replies.  [ 1 post ] 

Author Message
PostPosted: Thu Mar 15, 2007 1:07 pm 
Ring Lights

Ring lights, and ringflashes in particular, are almost a separate category of studio lighting. The studio ringflash is an outgrowth of the small circular ringflashes that are widely used by dentists and forensic scientists to photograph small items without shadows.

The principle is simple: Instead of the light coming from one side of the camera where shadows are invariably present, a ringflash surrounds the lens. The light comes toward the subject from all angles and the only shadow formed is a faint and thin uniform one, or none at all.

In recent years, higher-powered ringflash units have come into vogue among fashion photographers and have since stood the test of time, though traditionally very expensive and limited to the most affluent shooters.

In addition to the obvious advantage of producing relatively shadow-free images, the ringflash can produce a certain character in lighting that is not evident with off-camera light sources.

In particular, the ringflash has a subtle tendency to add a three-dimensional look on many subjects. This is because when the light falls on a rounded body part, say and arm or leg, the light falling on the edges is, due to the oblique angle, less reflected to the lens than the light that strikes the frontal surfaces. Since this light falls uniformly on all sides of such a feature, it appears to increase the overall appearance of depth. It is also accompanied by a nearly invisible uniform shadow that tends to separate features from one another. With off-camera lighting, the same feature would have a brighter side and dimmer side and appear more as a shadow gradient and the eye would identify it as such.

There is also the effect of inverse square law light fall-off. When a ringlight is used relatively close to the subject (which it often is) the difference in distance from the light to the front of the subject to the back further causes the accentuation of frontal surfaces and apparent dimension.

>> Click Here for more info on the Inverse Square Law

On the negative side, direct ringflash is a small-source light and can lead to results not unlike a straight on-camera flash if not used carefully. This can produce redeye and a general “snapshot” look.

These obstacles, if present, can be remedied by using a ringflash (such as the ABR800 or the Zeus RingMaster) that employs strong modeling lamps to reduce redeye, and by using an accessory large-source diffuser such as the Moon Unit.

The Moon Unit increases the effective source-size and renders a somewhat different shadow structure than direct ringflash. The shadows surround the subject more, and are thus softer and even less evident. The Moon Unit also allows the ringflash to be used a greater distances from the model to allow greater freedom of composition and less model discomfort because the light is softer and less blinding.

When fitted with one of the Moon Unit Masks, the normally concentric lighting effect can by made to be weighted toward the top or bottom and can introduce subtle soft shadowing as might be normally achieved by multiple light sources, while retaining whatever degree of concentricity is desired.

With or without the Moon Unit, the ringflash can also provide interesting catchlights in models and is, of course, an excellent light source for many product and architectural applications.

A very popular use of ringflash in outdoor fashion work is to either overpower the natural light to produce a surrealistic balance of natural and artificial light, or to act as a natural, shadowless fill light to accentuate the subject against the surroundings. A Vagabond battery power supply is a likely companion to the ringflash for these uses.

>> Click Here to see a sample shot with the ABR800 overpowering the natural light
>> Click Here to see a sample shot with the ABR800 as a natural fill

In both of these uses, the ABR800 can produce f16 exposure at ISO100 10-feet from the subject (f22 at 7-feet) and is fully capable of these effects. The Zeus RingMaster can produce extremely intense exposures of f45 to f64 at these distances and thus can overpower extreme amount of sunlight for the most creative uses.

A final consideration is that ringflash units such as the ABR800 and Zeus RingMaster can also find daily use off-camera in or out of the studio. The Moon Unit compares with conventional softboxes and beauty dishes and is easily mounted in tight quarters where bulkier softboxes might be difficult. The included umbrella holder accessory forms a superior concentric umbrella light. These units may also be used with the accessory honeycomb grid and gel sets for many selective lighting effects.

For those contemplating a studio ringflash we strongly urge one with minimal physical weight and which contains good modeling lamps, fan cooling, and which accepts accessories such as the Moon Unit.


Display posts from previous:  Sort by  
Forum locked This topic is locked, you cannot edit posts or make further replies.  [ 1 post ] 

All times are UTC - 5 hours

Who is online

Users browsing this forum: No registered users and 1 guest

You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot post attachments in this forum

Jump to:  
Skin created by © gokin, reklama w internecie reklama internetowa
Powered by phpBB © 2000, 2002, 2005, 2007 phpBB Group